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Saturday Night in New York

Perhaps it's that I'm getting older or that I'm in a happy, stable relationship or that is wet and chilly outside, but I'm actually feeling pretty good about spending my Saturday night in the city holed up in my Aunt's apartment eating bing cherries and playing with photoshop. After all, I've spent the past few days catching up with friends, seeing art, running in Central Park, taking photographs of interesting people and even networking with a documentary filmmaker who works with a humanitarian organization in Afghanistan.

My only regret is that the audio recorder I just bought didn't come until after I'd left Columbia, so I could collect sound to build a story about an affable undercover cop who has befriended a community of elderly Latino domino players, winning their trust and adopting them as a collection of surrogate "Abuelos."dominos
I also captured a portrait of the much photographed street photographer Louis Mendes who I'd never met when I was living in the city. He counseled me to buy my own Speed Graphic and make some money selling instant portraits. He's a little bit of a hustler, but he's a hustler with charm and in the tradition of the Music Man, he sold me a healthy dose of technical and life advice packaged up with the portrait of me and my Nikon.
LouisHe told me he'd only give me one shot to get the exposure right on the portrait I took of him, but he relented when I overestimated the aperture the first time. I actually tried two more times after that, but the second shot was spot on.

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Comments (3)

Ivy:

What a great portrait- I love his camera and how all of the dark and grey tones work together. :)

More NYC photos, please!

Best guess would be (because the sun was behind the clouds/diffused by buildings/something like that: to use aperture priority and dial it down to negative 1 or 1.3 (the large, dark areas are going to throw off the meter and make it want to turn his black jacket a neutral color, so you have to tell the meter not to do that). Otherwise, f/5.6 and be there.

Didn't you miss me?
Cheers,
David

Of course I missed you!

Aperture priority? But I've been so good about shooting entirely manual all this year. I'm not sure I can handle going back.

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